The Crucible in history and other essays / Arthur Miller - Details - TroveSalem village, that pious, devout settlement at the very edge of white civilisation, had displayed - three centuries before the Russo-American rivalry and the issues it raised - what can only be called a kind of built-in pestilence nestled in the human mind, a fatality forever awaiting the right conditions for its always unique, forever unprecedented outbreak of distrust, alarm, suspicion and murder. It is not a dissertation on the art and technique of writing one of the most popular plays of the twentieth century but rather a discussion of the climate in the United States which eventually compelled Miller to write The Crucible. In many places autobiographical, Miller talks of the Cold War paranoia in McArthyist America which led to many artists having their loyalty questioned. In drawing parallels to the Salem Witch Trials, Miller describes a climate in which the only defense is often to accuse fellow artists, to provide information to the inquisition like committees charged with checking communist influence or as some people must have sincerely believed, uncovering a vast communist conspiracy. There are no passions quite as hot and pleasurable as those of the deluded. Compared to the bliss of delusion, its vivid colours, blazing lights, explosions, whistles and sheer liberating joys, the search for evidence is a deadly bore. Miller's essay discusses his first intimations that the Salem witch trials might provide a suitable stage for the story of his own times.
The Crucible as a Political Allegory
The Crucible in History: And other essays (Paperback)
Other offers may also be available. Cancel Submit. Arthur Miller. In drawing parallels to the Salem Witch Trials, Miller describes a climate in which the only defense is often to accuse fellow artis.
To see what your friends thought of this book, please sign up. Miller, never worry about spelling and magnificence, has only one life to consider. The fashion for mini-books has allowed publishers to publish work that would otherwise have had to wait for a more substantial collection. Just produce.
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